Open June 1: Monstera
When supply meets demand…
Come visit our new flagship indoor plant shop at City Works Depot – Auckland City. Specialising in indoor greenery, succulents and cactus, bonsai, and orchids.
The shop resides in the dramatic architectural setting of “the hoppers,” with an extended terrarium-like structure that glows with light.
We’re a great gift shop, with heaps of other goodies too.
Juniper over rock in a vintage Hanmer (New Zealand) pot.
(overhead)
(front)
Red (Japonica) from Japan
White (Japonica), from Japan
Example of bonsai style
From the rose family, the chaen-omeles are a deciduous flowing shrub related to the quince and often referred to as “flowering quince.” They have serrated leaves and clustering 5-petal flowers that are about 4cm in diameter.
With their lush bulbous flowers, the chaen-omeles make a nice keshiki. Two are shown here from Ponsonby Plants, in hand-made New Zealand pots.
The lower photo shows an example of a chaen-omeles in full bonsai style.
Perhaps best known in the sansevieria genus is the common snake plant (or mother-in-law’s tongue). But a much finer specimen/species is the Sansevieria cylindrica (aka, African spear). No more tongue: these have beautiful cylindrical (spear-like) leaves, which the baboons of Angola have been known to impale themselves on.
The write-up on Wikipedia reads:
Sansevieria cylindrica, also known as the Cylindrical Snake Plant, African Spear or Spear Sansevieria, is a succulent plant native to Angola.
S. cylindrica has striped, round leaves that are smooth and a green-gray color. A single leaf is about 3 cm (1 in) thick and grows to a height between 1 m (3 ft) and 2 m (7 ft). The Spear Sansevieria grows fan-shaped, with its stiff leaves growing from a basal rosette. The species is interesting in having rounded instead of strap-shaped leaves caused by a failure to express genes which would cause the cylindrical bud to differentiate dorsoventrally or produce a distinctive and familiar top and bottom surface to the leaf blade. The 3 cm (1 in) greenish-white tubular flowers are tinged with pink. The species is drought-tolerant and in captivity needs water only about once every other week during the breeding season. The species was described by Wenceslas Bojer in 1837.
Here’s one, new on display in the shop (Ponsonby Plants)…
Front
(side)
(overhead)
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The magazine Ceramics Quarterly has done a little piece on our Keshiki bonsai, featuring our use of hand-made vintage NZ pots. The two-page spread is shown below – the scan is not great and the type is hard to read, by the photos are clear enough.
Page 1
Page 2
Young Japanese Yew in pot.
Hanmer Pot (NZ made)
The colour, shape and size of this vintage pot are a good match with the plant.
(Second View)
Ponsonby Plants is under new ownership. We’ll be posting some shots of the renovations, but best to come visit if you can… and have a look for yourself.
From the Keshiki gallery, a bonsai of the NZ native Kowhai (pronounced: co-fi)
The indoor, Keshiki gallery at PP.
Beautiful small orchids – documenting their first appearance in NZ
Photo taken from entrance of PP. Cactus room visible through door on the right
New windows offer an illuminated background for the indoor, Keshiki gallery, with its floating shelves made of solid Douglas Fir.
Keshiki means something like “landscape” in Japanese and is pronounced kesh-key. The term is used by Kenji Kobayashi in his book to refer to simple “landscape” bonsai that he creates.
My keshiki come from the same idea.
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Keshiki bonsai no. 102 is a Mexican red pine with loose stones.
In Context
A few weeks ago I was interviewed about keshiki bonsai for a short piece in NZ House and Garden. Thanks to the very nice folks there.
article, NZ House and Garden
Here I thought I would expand a little on what I said, and include some of what did not appear in the piece, having to do with what I specifically like about ‘the potted plant.’
The potting of plants came about, no doubt, because of a desire to have plants somewhere where there is no earth to put them in. Indoors, for example, or on a deck or patio. For the same reason, it’s not a great look to have potted plants sitting on grass or other surfaces that look perfectly suitable for planting. It makes the pot look superfluous.
At the same time, there is an aesthetic to the potted plant that goes beyond this ‘out-of-the-ground’ functionality. I like pots because they frame a plant, whereas when in the ground, a plant loses some of its individuality – as it becomes part of the larger landscape.
Pots can be beautiful in their own right, but that is not the point here. Consider the example of bonsai. Here the emphasis is on trees (versus other plant types), usually placed in relatively small and shallow pots. The particulars of bonsai can overshadow a more general desire, which is to remove the plant from the wild or natural setting and place it in a controlled setting – again, to frame it up.
When applied to the potting of plants generally, bonsai and related disciplines (like the Chinese penjing) remind us that we can made a composition out of ‘plant’ and ‘pot’, regardless of whether or not we prune the plant in some kind of ‘bonsai style.’
Not a bonsai
In this sense, bonsais are not a closed off area of plant enthusiasm, and there is much to learn about styling our composition from the school of bonsai even if we don’t do ‘bonsai’ (more on this in a later post).
Of course there’s also more to plant life than trees. My interest is in potted plants of all sizes, and not just bonsais. I do lots with grasses (including bamboo), succulents, cacti, et cetera, with an emphasis on individual examples that have a unique appearance.
Often people who do ‘bonsai’ have little interest in plants otherwise, and vice-versa. This seems quite artificial to me. Bonsai are just a type of potted plant and we should not think of it as so specialised (and equally demanding). I don’t care too too much about the ‘rules’ of bonsai in part because I do plants for myself, but also because I want my plants to be enjoyed by people generally. Wouldn’t it be odd if a painter only exhibited his or her art to painters, yet that’s what bonsai enthusiasts typically do, especially in the west.
I particularly like the small ‘keshiki’ bonsai because they create a little landscape or scene all on their own. They can be a real eye-full for something so small. They require a bit of attention, but as they mature they change, and the experience of witnessing this is rewarding, even from week to week.
Hulking stalks seen close up
Took these shots this weekend at Plantarama in Massey (Auckland). A perimeter fence of them was planted 3 or 4 decades ago, and now they make an impressive little forest.
Bamboo has a reputation for being invasive but that is not true of all species. The main difference is ‘clumping’ bamboo versus ‘running’ bamboo. See here for more.
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Some of my potted bamboo
Keshiki means something like “landscape” in Japanese and is pronounced kesh-key. The term is used by Kenji Kobayashi in his book to refer to simple “landscape” bonsai that he creates.
My keshiki come from the same idea.
Hand-made Aussie bonsai pot
Keshiki bonsai no. 101 is a Cuphea with rock, loose stones and an island of moss.
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Keshiki means something like “landscape” in Japanese and is pronounced kesh-key. The term is used by Kenji Kobayashi in his book to refer to simple “landscape” bonsai that he creates.
My keshiki come from the same idea.
German pot
Keshiki bonsai no. 100 is a False Cedar with loose stones and an island of moss.
A milesone: 100 Keshiki
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Keshiki means something like “landscape” in Japanese and is pronounced kesh-key. The term is used by Kenji Kobayashi in his book to refer to simple “landscape” bonsai that he creates.
My keshiki come from the same idea.
Hanmer pot, from New Zealand
Keshiki bonsai no. 99 is a Totara (a New Zealand native) with loose stones and an island of moss.
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Keshiki means something like “landscape” in Japanese and is pronounced kesh-key. The term is used by Kenji Kobayashi in his book to refer to simple “landscape” bonsai that he creates.
My keshiki come from the same idea.
Hand made NZ bonsai pot
Keshiki bonsai no. 98 is a formal upright Mountain Totara (a New Zealand native) with rock, loose stones and an island of moss.
Keshiki means something like “landscape” in Japanese and is pronounced kesh-key. The term is used by Kenji Kobayashi in his book to refer to simple “landscape” bonsai that he creates.
My keshiki come from the same idea.
German pot
Keshiki bonsai no. 97 is a formal upright Redwood with rock, loose stones and an island of moss.
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